Charlie Mariano, the Boston-born saxophonist who gained world renown as a performer with his former wife, Toshiko Akiyoshi; Stan Kenton; and Charles Mingus, among many others, died yesterday at Mildred Scheel Hospiz in Cologne, Germany, his longtime home. Mr. Mariano, who had battled cancer for years, was 85.
“He was the dean of Boston jazz musicians,’’ says jazz impresario George Wein, a Boston native who resides in New York and was a colleague and friend of Mr. Mariano’s since the 1940s. “Charlie was a wanderer, and he left his mark wherever he went.’’
Born Carmine Ugo Mariano in 1923, he was weaned on his father’s beloved Italian operas and the big bands he heard on the radio: Benny Goodman, Duke Ellington, and Count Basie, whose saxophonist Lester Young became Mr. Mariano’s first musical hero. He would not get his own saxophone until his 18th birthday, but in short order, the ambitious young musician was playing nightly at Izzy Ort’s bar and dance hall in what was then known as Boston’s combat zone, for $19 a week.
Mr. Mariano was drafted in 1943, but never saw combat. He was tapped to play in one of the several small music ensembles that entertained at officers’ clubs. Near the end of the war, Mr. Mariano, who was stationed on an air base north of Los Angeles, heard Charlie Parker play live for the first time, during Parker’s first West Coast gig, at Billy Berg’s jazz club in Hollywood.
“He completely turned my head,’’ Mr. Mariano said of Parker in “Tears of Sound,’’ a 1993 biography of Mr. Mariano published in Germany. Taken with the sax great’s inventive harmonics, newfangled rhythmic figures, and breakneck tempos, “I chased Bird’s sound, his way of phrasing. I listened to his solos on recordings for hours, wrote them down, and played it.’’
As it was for many alto saxophonists, Mr. Mariano found his muse and musical foundation in Parker’s ground-breaking sound. After leaving the Army in 1945, he drifted to Chicago, then Albuquerque, picking up work where he could, and finally wound up back in Boston. When the big-band era began winding down and many local clubs were closed, the largely self-taught Mr. Mariano enrolled in music school for the first time, at the Schillinger House of Music, which would later be renamed Berklee College of Music.
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